Tuesday, October 27, 2009

project room: Koizumi Meiro

Meiro Koizumi, Defect in Vision, 2011, two-channel HD video installation, 12min.
Few years later in 2013 I see Meiro Koizumi works including the one described below in MoMA NY. Working in video and performance, until now Meiro  has built a compelling body of work that deals with power dynamics on scales from the familial to the national, and examines questions of political and psychological control. Implicating himself, his performers, and the viewer through choreographed emotional manipulations, Koizumi creates works that straddle the uncomfortable and indefinable line between cruelty and comedy. His first solo museum presentation in the United States, Projects 99 includes a selection of earlier projects, as well as Defect in Vision (2011), Meiro’s most ambitious and accomplished project to date. Probing the idea of blindness—both philosophical and physical—the piece is projected on two sides of a single screen, preventing the viewer from taking in both views at once. The action follows two performers who repeatedly enact a domestic scene set during World War II. While staged in the historical past, the scene’s portent of impending catastrophe has taken on a new relevance following the Fukushima nuclear disaster, in a work that is incisive, thought-provoking, and visually lush.











Upon my visit to Mori Art Museum I happened to come across Koizumi Meiro video installation My voice rich you (2009), which is a part of MAM project 009. It consists of two-part video, photography and a letter. In the first part of the video we see a man on the street talking to his mother on the phone. And although we don't hear the voice of the person on the other side of the line we can easily fill in the gaps in the dialogue. In the second part we can hear both sides and it turns out that actually the man talks to some customer service operator as if the person was his mother. And what seemed to be so familiar is now inconvenient and amusing in a way. The video is accompanied with the letter to his deceased mother written by the same man and the authentic photo which makes the work very personal and easy to identify with before we realize that in fact it is a play with social structures and our feelings. Here's the interview with the artist who is now working on his new piece titled Kamikaze Dog based on monologues spoken by kamikaze pilot in WW2 movies.

Friday, October 23, 2009

exhibition: on trash

Since 2007, Shinji Omaki has been developing Garbage Project trying to find out what exactly is garbage. Following his visits at the waste landfill repository in Tokyo and Omori Shell Mound he now shows new installation works in TWS. And once again he transforms oridinary space into exraordinary where one can experiance realms of his creations. Continue reading.












Tuesday, October 20, 2009

exhibition: detour

Showing@MOMA Design Shop, a traveling exhibition organized by Moleskine which just got to Tokyo. On display are some Moleskine notebooks designed and customized by artists working in different fields. Amongst them few Japanese Toyoo Ito, Kengo Kuma, Naomi Kawase, Naoto Fukasawa, Tadanori Yokoo, Kazunari Hattorii, Naoki Yoshimoto, Shintaro Miyake, Erina Matsuki and more. Visitors are welcomed to flip through displayed notebooks' pages.

Sunday, September 27, 2009

exhibition: ShContemporary09

This year edition of ShContemporary09 hosted a special exhibition (curated by Mami Kataoka) to showcase works by some of the most significant artist who emerged from Asia during the past two decades as well as some of the most promising emerging artists. Among Japanese were: Aiko Miyanaga, Teppei Kaneuji, Takahiro Iwasaki and Yuichi Higashionna. The first two were already mentioned at different occasions so here are few words about latter both working with everyday objects.
Takahiro Iwasaki, Bookshelf, 2008, installation
Iwasaki lyrically transforms the every day objects into vessels of fantasy. What may seem at the first glance a clutter of strings and found objects become a Lilliputian world arranged with great precision.
Iwasaki studied at Hiroshima City University and Edinburgh Collage of Art. In 2005 selected for Bloomberg New Contemporaries. He's been exhibiting is Japan (Roppongi Crossing 2007 Future Beats in Japanese Contemporary Art@ Mori Art Museum in Tokyo), Scotland, Germany and UK (Barbican). Currently his work Reflection model is on show at 10. Biennale de Lyon.
Yuichi Higashionna, Untitled (Chandelier IV), 2004, installation
Higashionna’s work is about exploring domestic kitsch. My work frequently incorporates common, everyday things. Many of these things are what we call fanshii in Japanese. Fanshii things are said to be odd, kitsch, girlish and tacky he says.

Higashionna graduated from Tama Art University in Tokyo (1978). His works were exhibited in Japan, South Korea (Pusan Biennale), U.S., Canada, France and Germany. In 2008 awarded Bombay Sapphire Prize (the world's biggest award for artists, designers and architects working with glass).

tofu sculpture

Tatzu Nishi, The Aureole of Tofu Buddha and Soy Sauce - The Land of Perfect Bliss, 2009, c-print

Buddhist altar made from tofu blocks fitted with the pump sprinkling soy sauce and all these sitting in the fridge. This is artist response to budget cuts on monumental art work which he's been working on. Tatzu Nishi is know for redeploying outdoor sculptures in seemingly everyday settings altering scale and context of these objects. And so a bronze Christe appears in the bedroom, Chinese pavillion changes into the hotel room and the street lamp lands in the gallery office. The Aureole of Tofu Buddha and Soy Sauce - The Land of Perfect Bliss is part of his show in Arataniurano gallery.




photo: tokyoartbeat

Friday, September 4, 2009

Japan game


















Playing games has been an essential aspect of human cultural history since Antiquity. In Japan, the global leader in entertainment electronics, the merger of everyday life, hobbies and computer games has progresses with particular intensity.
From 8th September Ars Electronica hosts Japan Media Arts Festival, an annual event from Tokyo first time in Europe. It focus on entertainment aspect in Japanese media art and present award winning game works.
Every evening there will be some game tournaments.

Tuesday, August 18, 2009

big in Japan

The Contemporary Art Centre, Vilnius (CAC) presents Big in Japan, an exhibition featuring Yayoi Kusama, Paramodel, Hiraki Sawa and Go Watanabe.
The curators produced the exhibition as a set of four solo-projects. Each of theme is thought as a distinctive artistic world and aspires to present contemporary Japanese culture and art.


Paramodel, Paramodelic – Graffiti 2009

















photo: courtesy the artist and Mori Yu Gallery

Hiraki Sawa, Hako, 2007, video installation



















photo: courtesy the artist and Ota Fine Arts

Watanabe Go, "face ("portrait") -8", 2006, digital print